Freewell + Steven Divish
Interchangeable flare anamorphic
One precision cinema lens. Three interchangeable flare modules. Two ways to go wide.
Why anamorphic
Anamorphic glass optically stretches a wider scene onto the sensor. Desqueeze the footage and ordinary phone video opens into a dramatic widescreen frame, complete with oval bokeh and signature horizontal flares.
One lens. Three signatures.
Slide in Neutral, Gold or Blue and give the same scene an entirely different emotional language.
Clean. Controlled. Timeless.A refined horizontal streak that keeps color natural and lets the scene lead.
Warm. Nostalgic. Human.Turn practical lights and sunsets into a warm cinematic glow with vintage character.
Bold. Cool. Electric.Create the iconic cool-blue streak associated with modern sci-fi and high-energy cinema.
Real glass. Real character.
It feels wider. More intentional. More immersive.
Two lenses. One cinematic language.
Both versions share the same interchangeable flare system, optical build, 17mm mount and 58mm filter thread. Your choice is simply the frame.
Turns standard 16:9 capture into the familiar 2.35:1 widescreen frame.
2.35:1
Creates a dramatic 2.76:1 frame from standard 16:9 footage.
2.76:1Lockable 17mm anamorphic
Set the anamorphic horizon, tighten the built-in locking screws with the included hex key, and keep every flare perfectly horizontal.
Built into your filmmaking system
Threads securely onto a compatible 17mm case, cage or mounting system.
Add any standard 58mm filter for exposure control or cinematic diffusion.
Attach through a compatible 17mm case, cage or mounting plate.
Use Blackmagic Camera or another compatible app to desqueeze.
Freewell + Steven Divish
Co-developed with filmmaker Steven Divish around the way mobile creators actually shoot: faster changes, repeatable alignment and more creative choice from one lens.
Precision in every detail
Your next frame
1.33x or 1.55x. Neutral, Gold or Blue. The story is yours.
